THE FIRST BLOG – MAKING A SPECTACLE OF MYSELF FOR SOME SEMBLANCE OF A GREATER GOOD

Posted in Uncategorized by johnwildman on January 3, 2009

My job (or jobs – depending on how you look at it) for the American Film Institute, AFI FEST, AFI DALLAS, the Indian Film Festival, Lone Star Film Festival, Feel Good Film Festival and last, but certainly not least – The Vision Awards has required me to increasingly to take on the role of spokesperson. Which honestly, I am happy and sometimes relieved to do because I know exactly what I want to say and what I think people need to know about each of those film festivals, events and organizations. Of course, I’ll hear or watch myself afterwards and appropriately loathe myself for opening my mouth and preaching my happy version of the movie gospel like that too loud guy standing in front of you in any line anywhere in Los Angeles or worse – like that roommate or co-worker or ill-chosen boyfriend or girlfriend you just can’t escape well enough.

And, yet – after the handful of television, radio, and print interviews, panels, Q&As, there is much more to say. And even after hating listening to the sound of my painful earnestness and in the worst cases – obviousness, there is still so much more to say. So now – after a lot of prompting by my wife (a dedicated and much more prolific writer, herself) to begin writing and blogging about what I’m doing and what I’m seeing – from my perspective – well, I’m gonna give it a shot.

And while I won’t always be writing about “work”, a good amount will be about film, filmmakers and the film festival world because the films and filmmakers I give the largest rat’s ass about need as many voices singing their praises and alerting everyone as to their existence as they can get. David Redmon and Ashley Sabin and their wonderful, intimate documentaries like KAMP KATRINA and INTIMIDAD, Jacob Medjuck’s SUMMERHOOD, Johnny Asuncion’s FLOAT, Daniel Stamm’s A NECESSARY DEATH, pretty much everything Bill Sebastian (MIDLOTHIA) has done since I’ve known him, Mo Perkins’ A QUIET LITTLE MARRIAGE, Sabine El Gemayal’s NILOOFAR – there are so many more, but I’ll stop this list for now.

And film festivals – well, in these tough economic times – they are under siege in more than a few ways. Sponsors are going away, and there is a lot of fair weather support out there that is hanging by a thread by small groups of people in each case that see their film festival as just that – theirs. And so they work harder and harder to keep it going and make the next edition better than the last. And they deserve someone shining a light on them too. So here we go….

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