AFI AUGUST SCREENINGS
AFI UNCENSORED DOCUMENTARY SCREENING OF
MITCH MCCABE’S “YOUTH KNOWS NO PAIN”
ON WEDNESDAY, AUGUST 19TH
MONTH LONG SERIES INCLUDE
“THE AMERICAN NEW WAVE” AT ARCLIGHT HOLLYWOOD
AFI “A SIXTIES SUMMER” AT ARCLIGHT SHERMAN OAKS
AFI announces August series of screenings featuring the “AFI Uncensored Documentary Screening” presentation of Mitch McCabe’s YOUTH KNOWS NO PAIN on Wednesday, August 19 at 8:00PM.
AFI’s August roster of screenings also feature films selected for an “American New Wave” series at ArcLight Hollywood including 40th Anniversary screenings of the film classics EASY RIDER and MIDNIGHT COWBOY. The AFI “A Sixties Summer” series (to be screened at ArcLight Sherman Oaks) will include a special children’s screening of the Disney classic MARY POPPINS from a restored print of the film.
The screenings are as follows:
AFI Uncensored Documentary Screening
Locaton: ArcLight Hollywood
August 19 – YOUTH KNOWS NO PAIN
DIR: Mitch McCabe
FEATURING Mitch McCabe, Sherry Mecom, Norman Deesing, Julia Allison, Gary Baldassarre, Dr. Franklin Rose, Erica Rose, Lyndsay Bertie, Dr. Lisa Airan, Paula Begoun, Dr. Bobby Buka, Dr. Fredric Brandt, Dr. Adrienne Denese, Simon Doonan, Robert Grant, Erika Kawalek, Joan Kron, Charla Krupp, Dr. Zein Obagi, Dr. Nicholas Perricone, Linda Wells, Dr. Anthony Youn
Straight from AFI-Discovery Channel SILVERDOCS and Cinevegas, is HBO Documentary Films’ YOUTH KNOWS NO PAIN, a documentary that follows filmmaker Mitch McCabe, the age-obsessed daughter of a plastic surgeon, as she takes a journey through America’s $60 billion a year anti-aging world. For two years, McCabe traveled across America, visiting doctors and beauty experts, and living with a cross-section of characters from Minnesota to Texas who are attempting to “beat the clock” and stay forever young. It’s an intense and exhaustive journey, and when it comes to an end, one wonders whether the filmmaker herself hasn’t been seduced by youth.
A Q&A with filmmaker Mitch McCabe and some of the featured documentary subjects will immediately follow the screening.
AFI ON SCREEN – AFI AT ARCLIGHT
Location: ArcLight Hollywood
THE AMERICAN NEW WAVE
WEDNESDAYS at 8:00 PM
August 5 – EASY RIDER (1969)
August 12 – MIDNIGHT COWBOY (1969)
August 26 – NASHVILLE (1975)
Location: ArcLight Sherman Oaks
A SIXTIES SUMMER
MONDAYS at 7:30 PM
August 3 – MARY POPPINS (1964) ***5:00PM*** (Special Children’s Screening)
August 10 – FUNNY GIRL (1968)
August 17 – THE APARTMENT (1960)
August 24 – GUESS WHO’S COMING TO DINNER (1967)
August 31 – ROSEMARY’S BABY (1968)
ArcLight Hollywood, 6360 W Sunset Blvd., Los Angeles, CA
ArcLight Sherman Oaks, 15301 Ventura Blvd., Sherman Oaks, CA
Tickets are $12, $11 for AFI and ArcLight members. On-site parking is $2 for four hours with validation. To order advance tickets, go to http://www.arclightcinemas.com <http://www.arclightcinemas.com> call 323.464.4226 or visit ArcLight Hollywood’s box office at 6360 W Sunset Blvd. (at Ivar).
AFI FEST presented by Audi
ANNOUNCES FINAL CALL FOR ENTRIES
THE AMERICAN FILM INSTITUTE’S
FLAGSHIP EXHIBITION EVENT CELEBRATES 23RD YEAR
LOS ANGELES, CA, July 20, 2009—AFI FEST presented by Audi announced its final call for entries today, and the dates for the 23rd annual event. AFI FEST will be held October 30 – November 5, 2009 in Hollywood, California. The American Film Market (AFM), the Festival’s market partner, will be held from November 4 – 11, 2009.
The final deadline for short film (under 30 minutes) is July 25, 2009. The final deadline for features (over 30 minutes) is July 31, 2009. Acceptance decisions will be announced no later than October 1, 2009. Submissions can be made at AFI.com/AFIFEST or by calling 1.866.AFI.FEST for more information.
AFI FEST spans 7 days and features international films from emerging filmmakers, global showcases of the latest work from the great film masters, nightly special screenings and red-carpet gala premieres. Each year, AFI FEST presents international competitions of features, documentaries and shorts, as well as regional showcases as part of its broader World Cinema section.
AFI FEST 2008 rolled out the red carpet with the highly anticipated World Premiere of John Patrick Shanley’s DOUBT on October 30. Starring Philip Seymour Hoffman, Meryl Streep and Amy Adams, the event featured a surprise appearance by Streep as she joined Shanley and fellow co-star, Adams.
Other highlights of the Festival included Centerpiece screenings of Steven Soderbergh’s epic CHE and Darren Aronofsky’s THE WRESTLER at Grauman’s Chinese Theatre with Benecio Del Toro and Mickey Rourke among other stars in attendance, and the Centerpiece Screening of Joel Hopkins’s LAST CHANCE HARVEY at the ArcLight Hollywood Cinerama Dome with stars Dustin Hoffman and Emma Thompson present. Tributes to Tilda Swinton and Danny Boyle, Talk/Show film panels including a command performance by legendary animator Bill Plympton, DigiFest celebrating the AFI Digital Content Lab’s 10th Anniversary, the first teaming of AFI FEST with LACMA on a Arnaud Desplechin retrospective as well as the joining of efforts with American Cinematheque for the two tributes, and screenings attended by everyone from Joaquin Phoenix and Michelle Williams, Jeff Goldblum, Vinessa Shaw, Sally Hawkins, Julia Ormond, Lou Diamond Phillips, Michelle Trachtenberg, Billy and Lisa Zane, Jacqueline Bisset, Seymour Cassel, Elijah Wood, Zack Galifianakis, Mark Ruffalo, Joanna Cassidy, Bai Ling, Russell Wong, Julia Nickson, Steph Song, Kathleen Quinlan, Jay O. Sanders, Kate Del Castillo, Marisa Tomei, Evan Rachel Wood, Jason Stratham, Jesse Spencer, Kelly Lynch, Jason Priestly, Amil Kapoor, Matthew Modine, Charlie Day, Mary Elizabeth Ellis, Kevin McKidd, Sendhil Ramamurthy made for a exceptionally successful film festival by all accounts.
AFI FEST 2008 concluded with the Closing Night Gala, DEFIANCE, directed by Edward Zwick and starring Daniel Craig, Liev Schreiber and Jamie Bell. Overall, AFI FEST 2008 showcased 106 features (85 narrative, 21 documentary) and 48 shorts (39 narrative, 9 documentary) for a total of 154 films representing 38 countries.
AFI FEST is the only film festival in the United States to hold the prestigious FIAPF accreditation (www.FIAPF.org), assuring a high standard of quality and reliability for the international film community. The Academy of Motion Picture Arts and Sciences recognizes AFI FEST as a qualifying festival for the Short Films category of the annual Academy Awards.
The American Film Market (AFM), November 4 – 11, 2009 is the market partner of AFI FEST. Since its formation in 2004, this strategic partnership has grown into the largest gathering of film professionals in North America. The association between the two events connects art and commerce, broadening the opportunities for all participants. A total of 37 films selected for last year’s AFI FEST were also represented at the 2008 AFM.
Between the AFI stuff, the film festivals, Vision Awards and other charity events I do there are a lot of red carpets (okay, to be absolutely correct – the Feel Good Film Festival has a yellow carpet in honor of its sunflower mascot/logo). And, as with most things I do there is somewhat of a code in how these things are run and how I think people should behave on both sides of the velvet rope.
And, it’s simple. It’s just about being fair and accommodating and showing respect for each other. Really. Nothing more complicated than that. I try to give the press as much access as I can (and is reasonable) and I trust that if I do that, then they will give as equal play (again, as I can reasonably expect) to the filmmakers and actors and actresses, etc. that I put on that red carpet.
It’s a little dance and negotiation that basically says if I give the photographers and video crews, etc. the chance to take pictures and interview the big movie stars that make their trip out there worth it, then they will also take photos and give the time of day to the first time filmmakers and up-and-coming talent that I put before them.
And I am careful about who I let walk on that carpet. Very careful. I have to be because I want there to be a sense of security and relief for both sides when they see that I am at the front of that thing, running that show.
And that’s why I hate the carpetbaggers.
Carpetbaggers (my definition) aren’t the celebrities that come out (as they say) to the opening of an envelope. I have no beef with those folks. Because more often than not, there is at least a reason why people still take their photos and let them talk into a microphone at these events. No, carpetbaggers are worse because they really, really, really have no reason to be there.
Tuesday, we had red carpet entrances for a special screening of a horror/thriller by Bruce Reisman titled THE HOUSE THAT JACK BUILT. The film starred Joe Mantegna, Gail O’Grady, Kris Black, Michael Guarnera, etc. I was asked to handle the premiere for the film by one of the producers, Tony Oppedisano and was warned that the film’s “publicist,” who was handling the after party, might take some additional “handling” as well.
That was an understatement. Soon after setting place cards for the confirmed press I had photographers begin to show up that I wasn’t expecting because this guy had taken it upon himself to confirm them for my event. This was after he had sent me a list of press he HAD asked me to put on the carpet with no contact info to follow up on who they were. And – totally weird coincidence – the primary video crew on that list (for an online site I had never heard of let alone had on one of my carpets before), turned out to be his client. Oh wait, and one that I frequently have at my events informed me that they weren’t able to make it, but they had tried to arrange for a sit down with the film’s major players with Mr. PR dude, but for some reason it was beyond him to pull that off. So…dubious. Anyway…I really hate to say no to press if I can help it, and after figuring out what happened and who the photographers were, I found them a spot and everyone played nice. It sucked a little but there are worse things as I know very well and was about to experience…
Now, a few days before the event I was sent a guest list of people that were told they could walk the red carpet by this publicist and the producer/director, Bruce Reisman and the producer/lead Kris Black. There were 50 names of cast and crew and another 78 names of “celebrity guests”.
I will digress for a quick moment about the level of celebrity we’re talking about. Usually, a publicist like this has one name he or she loves to trumpet as their shining example of glitter and pixie dust – and Pamela Bach-Hasselhoff was this guy’s standard bearer. According to him, having her show up was a guarantee of coverage from Access and E.T. and The Insider, etc. Where she went they followed. They couldn’t get enough of her. Because getting a quote from her about what her lawyer told her The Hoff was up to or maybe reminiscing about the Baywatch days 6 years ago….THAT is television gold. GUARNTEED.
Almost like an uncontrollable allergic sneeze, I laughed out loud at that one. And to be clear, for you PBH fan club card holders (and I’m not talking Peanut Butter and Ham) – I have nothing against her. I’m sure she’s very nice (and she seemed it, I guess, as she spoke to the remaining crew (yes, his clients) when she arrived long after I had already shut down the carpet). No – it’s the grandiose pimping out of a “celebrity” just because they will actually take your call or respond to your email. And usually, looooooooong after they have ceased to be a primary draw. Gross. Just gross.
Back to our drama… We had one hour to get those people down the red carpet. And out of those 78 names, a dozen (more than a few generously) could be described as a celebrity. So, I called this guy and told him this is what we would do: One, other than the principals of the film, I would group everyone else in 3s and 4s, etc. to make the cast and crew thing work. Two, I had done the IMDB thing and narrowed the guest list down to 29 people that I could put on my red carpet without throwing up a little in the back of my throat. Therefore, he needed to email, call, or somehow get in touch with the other 50 or so people and tell them there would be no show at the OK Celebrity Corral on Tuesday night for them, or the last boats were launching off the Titanic and it was women and children and people with at least a TV guest spot that amounted to more than “Businessman with Snow Cone” on their resume’ – whatever, I didn’t care.
You have to be way ahead of me on this one. Of course, he didn’t do that and of course a good number of those people showed up. And here is one of the reasons why (and this was genuine news to me because I insist on downplaying the existence of this kind of crap in my head): According to a few of the photographers, this “publicist” actually has many of these people pay him so they can walk down the red carpet and get photographed. So, his clients and a few other more than dubious “publicists” show up with people that at best were supposedly an extra in something that was part of GRINDHOUSE or made a movie that posted on IMDB before it went Direct-to-Their Parent’s-Video-Cabinet, or worst have to be paraded in front of the photogs with identifying name plates that can’t even state a credit beyond “actress” or “recording artist” on it.
It’s gross, sleazy, and what’s more – I was also told this guy has to change the name of his company from time to time because once the press catches on that he’s involved with the event – a lot of them just skip it and don’t show up.
Now, let’s take a quick step back to clarify my feelings on walking the red carpet. It could seem as though I have a bit of a double standard since I always put shorts directors side-by-side with the movie stars and more notable filmmakers at my film festivals. Except…..those shorts directors not only made a film but it went through the screening process and made it into the film festival. Legit. Capital “L” on that.
And that’s why this really bugs the crap out of me.
I am already working a precarious balance by coercing the press (and the stardust in their editors’ and photo editors’ eyes) to give those shorts and first time filmmakers their rightful moment in the press’ sun. So – when some little aspiring reality hootchie-actress or Ed Hardy reject wanna-tough boy actor-guy shoehorns their way to the front of flash bulb land so they can document their ‘tude – that more than chips away at the unspoken agreement I have with the press not to waste their time.
So other than recount this little story, should I out this con-artist in hipster publicist/ promoter clothes? No, because there are a lot of him out there. And they can only do that shell game thing for so long before their bottom feeding really hits the rock bottom. But it is a rare case in which I actually feel a little sorry for the carpet baggers because this guy actually feeds on their desperation for this false facsimile of fame.
So – carpetbaggers beware.
I do have to say, the one fun coda of all of this is that the next day I was told that Kris Black, the film’s lead had signed with this guy to be his personal publicist.
Yeah, good luck with that. Enjoy that next event at the Apple Lounge with Pamela Bach-Hasselhoff.
THE FEEL GOOD FILM FESTIVAL RETURNS
TO EGYPTIAN THEATRE
FRIDAY, AUGUST 7 THROUGH SUNDAY, AUGUST 9, 2009
ROCK SLYDE ANNOUNCED AS OPENING NIGHT GALA PRESENTATION
FULL FESTIVAL LINEUP ANNOUNCED
ED ASNER WILL BE SUBJECT OF TRIBUTE
LOS ANGELES, CA July 17, 2009 – The 2009 Feel Good Film Festival (FGFF) announces it will return to the Egyptian Theatre in Hollywood Friday, August 7 through Sunday, August 9. The three-day event once again will feature films aimed at both adult and family audiences that highlight positive themes, happy endings, make audiences laugh, and capture the beauty of our world.
The Opening Night Gala presentation of Chris Dowling’s ROCK SLYDE will kick start a program that will feature 60 films, including 16 features, 34 shorts, and 10 student films as well as 2 webisodes. Along with the films offered throughout the festival, additional activities will include the film festival’s signature “yellow” carpet entrances (in honor of FGFF’s sunflower logo), live musical performances in the Egyptian Theatre courtyard presented by Audiorents, an original screenplay competition, an original song competition, a panel discussion, and a Closing Night Awards Gala, hosted by Brian Krause (“Charmed”) highlighted by a Tribute to film and television legend, Ed Asner.
ROCK SLYDE will screen as the Opening Night Gala feature film presentation on Friday, August 7. Written and directed by Chris Dowling, the film stars Patrick Warburton as an eccentric private detective balancing an office building turf war with a religious cult leader played by Andy Dick and a bizarre case involving a mysterious and beautiful woman (Rena Sofer). The film also stars Elaine Hendrix, with a number of cameo appearances including Jason Alexander, Eric Roberts, Lea Thompson and Tom Bergeron. The screening will mark the film’s Los Angeles Premiere with Warburton, Dick and Alexander all confirmed to attend and participate with the director, Dowling in a Q&A at the conclusion of the screening.
Also screening as part of the Opening Night Gala will be the short films FURTISSIMO, directed by Jacob Cementina, and TRUE BEAUTY THIS NIGHT, written and directed by Peter Besson.
Dowling expressed his happiness that ROCK SLYDE will enjoy its L.A. premiere as the FGFF Opening Night Gala, saying “Our cast and crew are thrilled to be having our West Coast premiere at the opening night of the Feel Good Film Festival. We feel the FGFF represents an aspect of independent filmmaking that is largely forgotten – having fun and making people laugh. We look forward to screening at the historic Egyptian theatre, walking the yellow carpet and having some fun.”
In addition to the Closing Night Tribute honoring Ed Asner, the Gala ceremonies will include the presentation of filmmaker awards. The awards will include prizes with a total value of $7750 ($3000 in goods and services from SLX Rentals and Sales, $3000 in goods and services from Hollywood Rentals, $1500 in film stock from Fuji Film, and a copy of Final Draft Version 8) for the winner of the Best Feel Good Feature Length Film and $3750 ($1500 in goods and services from SLX Rentals and Sales, $1000 in goods and services from Hollywood Rentals, $1000 in film stock from Fuji Film, and a copy of Final Draft Version 8) for the winner of the Best Feel Good Short Film.
In addition, prizes that total $1250 ($1000 in goods and services from Hollywood Rentals and a copy of Final Draft Version 8) will be given to the Audience Award winner for Best Feel Good Feature Film, and $250 (a copy of Final Draft Version 8) will go to the Audience Award for Best Feel Good Short Film.
The Panther Award for Best Cinematography brings with it $3000 in goods and services from SLX Rentals and Sales, the Best Feel Good Screenplay takes a prize worth $1000 (an InkTip online membership, a copy of Final Draft Version 8 and a $500 unrestricted cash prize from the Feel Good Film Festival), Best Original Song receives $500 in unrestricted cash from the Feel Good Film Festival), and the winner of the Feel Good Student Film category will enjoy $800 in goods and services from SLX Rentals and Sales as well as a one week complimentary tuition package at the New York Film Academy.
This year will also mark the addition of an award presented to the brand new Feel Good Webisode category,as well as honors to be announced for Best Art Direction, Best Directing, Best Actress and Best Actor.
Regarding the announcement of FGFF’s second year, Festival Founder and Co-Director Kristen Ridgway says, “The second year of the film festival promises to build on the success and fun all of us enjoyed as we launched FGFF last year. As much as we (obviously) had hoped to have a successful film festival, we were all blown away by the overwhelming turnout and response by the filmmakers and fans alike to our “happy” counter-programming. And ROCK SLYDE, with priceless performances by both Patrick Warburton and Andy Dick, could not be a better choice to start the festival with a bang and a lot of laughs.”
FGFF Co-Director America Young agreed and emphasized the addition of the webisodes section as well as a new “After Hours: Feel Good Enlightened double feature on Friday night as evidence of the growth of the programming this year saying, “Using the concept of ‘feel good’ films or entertainment as a leaping off point, rather than a constraint has been a central focus in our second year. We’re excited by the opportunity to not simply entertain, but to also explore and expand the definition with our audiences”.
FGFF will also screen the winning entry of an online competition co-sponsored by the festival on Indieflix.com. That film will be chosen from a lineup including Marc Havener’s AND WHAT REMAINS, Marin Rosete’s BASKET BRONX, Patrick Taggart’s CHARLIE APPLEBEE, Jeremy Provost’s DAYS OF BEING WRINKLE FREE, Maurice Moore’s THE SAVIOR, Matt Sklar’s STAYING GOLD: LOVE, SEX AND HAPPINESS IN OUR GOLDEN YEARS, and Conor Britain’s YOU WIN SOME YOU LOSE SOME.
The Feel Good Film Festival lineup will represent nine countries, including the U.S, U.K., Thailand, Australia, Singapore, South Africa, Ireland, Netherlands and Canada.
Festival passes and tickets are available for purchase on fgff.org.
The Feel Good Film Festival’s films are as follows:
FEATURE LENGTH FILMS (in alphabetical order):
ALWAYS WILL (USA/narrative)
Dir/Scr: Michael Sammaciccia
Cast: Andrew Baglini, Noelle Meixell, Mark Schroeder
Dir/Scr: Jeff Hare
Cast: Kip Pardue, James Brolin, Laura Sorenson, Napakpapha Nakprasitte
THE BROTHERS WARNER (USA/documentary)
Dir: Cass Warner
Subjects: Debbie Reynolds, Denis Hopper, Angie Dickinson
DANCE OF THE DRAGON (Singapore/narrative)
Dir: Max Mannix, John Radel
Cast: Hyuk Jang, Fann Wong, Jason Scott Lee
FINDING LENNY (South Africa/narrative)
Dir: Neal Sundstrom
Cast: Barry Hilton, Russel Savadier
FRIENDS FOR LIFE (USA/narrative)
Dir: Michael Spence
Cast: Michael Flynn, Jimmy Chunga, Tayva Patch
JESUS PEOPLE (USA/narrative)
Dir: Jason Naumann
Cast: Wendi McLendon-Covey, Laura Silverman, Mindy Sterling, Tim Bagley, Jennifer Elise Cox
Dir: Hiroshi Nakajima
Cast: Josh Long, Renevva Jensen, John Bolen
LOVE SIMPLE (USA/narrative)
Dir/Scr: Mark von Sternberg
Cast: Francisco Solorzano, Patrizia Hernandez
PAPER OR PLASTIC (USA/documentary)
Dir: Alex D. da Silva, Justine Jacob
ROCK SLYDE (USA/narrative)
Dir/Scr: Chris Dowling
Cast: Patrick Warburton, Andy Dick, Rena Sofer, Elaine Hendrix, Jamie Alexander, Jason Alexander, Eric Roberts, Tom Bergeron, Lea Thompson
SHOOTING BEAUTY (USA/documentary)
Dir: George Kachadorian
SOMETHING UNKNOWN (Netherlands/documentary)
Dir: Renee Scheltema
Dir: Jacob Madjuck, Tony Dean Smith
Cast: Jacob Medjuck, Raquel Alessi, Joe Fleherty, (narration by) John Cusack
UNIVERSAL SIGNS (USA/narrative)
Dir/Scr: Ann Calamia
Cast: Anthony Natale, Sabrina Lloyd, Lupe Ontiveros, Margot Kidder, Robert Picardo
2012 – WE’RE ALREADY IN IT (UK & USA/documentary)
Dir: Patty Greer
SHORT FILMS (in alphabetical order):
A SUMMER RAIN (USA/narrative)
Dir: Ela Thier
BE GOOD (UK/narrative)
Dir: Barney Cokeliss
Dir: Matthew Graham
BILLY & THE HURRICANE (USA/narrative)
Dir: Rocky Benoit
CHARLIE THISTLE (USA/narrative)
Dir/Scr: Bragi Schut
Dir: Jane Sablow
DANDELION DHARMA (USA/narrative)
Dir/Scr: Veronica DiPippo
Dir: Gabiel Yepes
DUCK LOVES TESCACOIL (USA/narrative)
Dir: Tyler J. Kupferer
Dir: Jacob Cementina
GRANDE DRIP (USA/narrative)
Dir: Angelo Restaino
HIS GOOD WILL (Canada & USA/narrative)
Dir: Cayman Grant
ICE CREAM (USA/narrative)
Dir/Scr: Dawn Asher, Alex Beh
KATE WAKES (USA/narrative)
Dir/Scr: Jasmine Kosovic
LAUGHTER(RX): NO HARMFUL SIDE EFFECTS (USA/narrative)
Dir: Chelsey D’Arrigo, Brandi Kosloy, Nani Dickinson, Charlie Vaughn
THE LAUNDRY (USA/narrative)
Dir/Scr: Alex Beh
THE LITTLE CEO (USA/narrative)
Dir/Scr: Sari Karplus
LUCY A PERIOD PIECE (USA/narrative)
Dir: Julie Sagalowsky
MAN WITH A GUITAR (USA/narrative)
Dir: Ryan Falkner
Dir: Jason Benesh
Dir: Kirk Diedrich
THE ROMANTIC FOIBLES (USA/narrative)
Dir: Canyon Prince
SCENIC ROUTE (USA/narrative)
Dir/Scr: Jonathan Fredrick
SILENT TREATMENT (USA/narrative)
Dir/Scr: Jonathan Rothell
SLICE OF PIE (USA/narrative)
Dir: Tim Reischauer
Dir: Paul Preston
TAH DAH (Canada/narrative)
Dir/Scr: Stacey Chomiak
THAT’S MAGIC! (USA/narrative)
Dir: Brandon McCormick
TRUE BEAUTY THIS NIGHT (USA/narrative)
Dir: Peter Besson
Dir/Scr: Matt Barber, Matt Webb
WHATEVER TURNS YOU ON (Ireland/narrative)
Dir: Declan Cassidy
WHEN I GROW UP (USA/narrative)
Dir: Michelle Meeker
WHOSE DOG IS IT ANYWAY? (USA/narrative)
Dir/Scr: Cindy Chupack
STUDENT FILMS (in alphabetical order):
FOR ALL MANKIND
Dir: Dan Clifton
Dir/Scr: Natalie Williams
HAPPY MAN’S PANTS
Dir: Kunal Savkur
LOVE LESSONS FOR MILES
Dir/Scr: Matthew Morgenthaler
Dir: Dana Jones
OVER THE FARM
Dir: Zander Hartung
Dir: Abbey Paccia
Dir: Jenna Dunkley
THE WORLD WITHIN UPS AND DOWNS
Dir: Jason Gerber
WOW! WHAT A GREAT QUESTION
Dir/Scr: Wesley Ruby
WEBISODES (in alphabetical order):
CATHERINE AND ANNIE
Dir: America Young
Dir: Brinton Bryan
SCREENPLAY COMPETITION (in alphabetical order):
Writer: Debrah Neal
Writer: Travis Mann, David White, Michael Toay
LA JAPONAISE (CHRISTMAS CAKE)
Writer: Karen Webb
Writer: Andrew Arneson
Writer: Miguel Rionda
Writer: Jason Ginsburg
ORIGINAL SONG COMPETITION (in alphabetical order):
Chris and Steve
Music & Lyrics: Freddy & Francine
Music & Lyrics: Marc Aramian, James Geralden, Veronica DiPeppo
Music & Lyrics: Merykid
Music & Lyrics: Stephen Hampar
Music & Lyrics: Stephanie Batailler, Skyebat
Music & Lyrics: Land of Deborah
The Way to Dance
Music & Lyrics: Matt Daniels
You’re Not Listening
Music & Lyrics: Rob Giles
Music & Lyrics: Zoe Myers
“TV LAND PRIME PRESENTS THE AFI LIFE ACHIEVEMENT AWARD” ON JULY 19TH AT 9PM ET/PT
AMERICAN FILM INSTITUTE HONORS MICHAEL DOUGLAS
WITH THE 37TH LIFE ACHIEVEMENT AWARD
JACK NICHOLSON, CATHERINE ZETA-JONES AND TOBEY MAGUIRE ARE AMONG THOSE SALUTING DOUGLAS
Log On To http://www.tvlandprime.com For A Chance To Win A Special Edition DVD Box Set Featuring Michael Douglas
LOS ANGELES, JULY 15, 2009—Jack Nicholson, Warren Beatty, Annette Bening, Matthew McConaughey, Tobey Maguire, Martin Sheen, Oliver Stone, Benicio Del Toro and Kathleen Turner are among those honoring Michael Douglas in “TV Land PRIME Presents the AFI Life Achievement Award” airing on July 19th at 9pm ET/PT on TV Land PRIME, TV Land’s prime time programming block.
After introductions by Sony President and CEO Sir Howard Stringer and AFI President and CEO Bob Gazzale, the show opens with a surprise ”made-for-the movies” moment as a stunt double fell through a fake ceiling (re-enacting Douglas’s climactic dinner entrance in his film, “The Game”). The show pulls out all the stops in celebrating both Douglas impressive career as an Academy Award-winning ® actor and producer, and the art of film itself.
Show highlights include moving appearances by the honoree’s father, film legend and 1991 AFI honoree Kirk Douglas, and Steve Swankay, a former child soldier from Sierra Leone whose education Douglas has sponsored, as well as a show-stopping performance of “One” from the musical “A Chorus Line” (the film version which starred Douglas), featuring Douglas’s wife, Catherine Zeta-Jones and a surprise musical performance by music icon Bob Dylan. Several of Douglas’s notable co-stars and friends also pay tribute.
Jack Nicholson, 1994 AFI Life Achievement recipient and star of the Douglas produced 1975 Oscar®-winning film “One Flew Over The Cuckoo’s Nest” had the honor of presenting the award to Douglas saying, “I’ve had so many of my high moments and so many of my fine moments with you.”
Upon receiving the award, Douglas thanks the NBA for making sure the Lakers had an away game so Nicholson could attend. Douglas continues, saying that in his travels around the world he is frequently struck by the fact that American films export the nation’s culture in a way that reflects incredibly well on the country and its values.
Among those Douglas thanks are both of his parents for his “acting DNA,” noting that both continue to act. Douglas also pays tribute to former “The Streets of San Francisco” co-star and mentor, the late Karl Malden. Following up on Malden’s taped tribute in which Malden considered Douglas an adopted son, Douglas says, “I’ll be his adopted son anytime.”
Also among the guests present are Viacom’s Sumner Redstone, Anne Archer, Sean Astin, Genevieve Bujold, Christopher Lloyd, Eric McCormack, Jesse Metcalfe, Sharon Stone, Deborah Unger, Paul Verhoeven and members of the AFI Board of Trustees.
Viewers can log on to http://www.tvlandprime.com and enter The 37th AFI Life Achievement Award Michael Douglas DVD Sweepstakes for a chance to win a special edition DVD Box Set featuring Michael Douglas in nine of his blockbuster hits: “The American President,” “Basic Instinct,” “The China Syndrome,” “Falling Down,” “Fatal Attraction,” “One Flew Over the Cuckoo’s Nest,” “Romancing the Stone,” “Wall Street” and “Wonder Boys.” The deadline to enter the sweepstakes is Thursday, August 12, 2009.
The evening is presented by HP and Intel.
Additional sponsorship provided by Stella Artois.
The 37th AFI Life Achievement Award marks the first of a four-year deal between AFI and TV Land.